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geometrydaily:

#126 Pyramid – A new minimal geometric composition each day

geometrydaily:

#126 Pyramid – A new minimal geometric composition each day

sergioalbiac:

L-System Plant (by Diana Lange)
Generative visual

sergioalbiac:

L-System Plant (by Diana Lange)

Generative visual

(via wowgreat)

sallyrenshaw:

PU$$¥ (Taken with Instagram at Matt & Sally’s)

sallyrenshaw:

PU$$¥ (Taken with Instagram at Matt & Sally’s)

Cut/Flutter 4, 2012
R Elwell (www.rachaelelwell.co.uk)

Cut/Flutter 4, 2012

R Elwell (www.rachaelelwell.co.uk)

Cut/Flutter 5 , 2012R Elwell (www.rachaelelwell.co.uk) 

Cut/Flutter 5 , 2012
R Elwell (www.rachaelelwell.co.uk

shinyslingback:

In my End is my Beginning

Dimensions 40” x 29” x 4”  
 
Lightbox mounted threadless embroidery 2011

Using manipulated lace patterns, formalised through alchemical symbolism this series attempts to illustrate a a temporary moment of continuity; a state George Baitialle believed could only be experienced in death or through sexual climax.
 
A triptych of embroideries sewn without thread, and mounted onto a light source allowing the pin holes which would normally be concealed to become filled with light exposing the sharply punctured surface and creating an almost cosmic surface.

(via wowgreat)

Victorian tile

Victorian tile

Victorian tile

Victorian tile

(Source: mineralia, via crystal-river)

(Source: louisahammond)

geometrydaily:

#126 Pyramid – A new minimal geometric composition each day

geometrydaily:

#126 Pyramid – A new minimal geometric composition each day

sergioalbiac:

L-System Plant (by Diana Lange)
Generative visual

sergioalbiac:

L-System Plant (by Diana Lange)

Generative visual

(via wowgreat)

sallyrenshaw:

PU$$¥ (Taken with Instagram at Matt & Sally’s)

sallyrenshaw:

PU$$¥ (Taken with Instagram at Matt & Sally’s)

Cut/Flutter 4, 2012
R Elwell (www.rachaelelwell.co.uk)

Cut/Flutter 4, 2012

R Elwell (www.rachaelelwell.co.uk)

Cut/Flutter 5 , 2012R Elwell (www.rachaelelwell.co.uk) 

Cut/Flutter 5 , 2012
R Elwell (www.rachaelelwell.co.uk

shinyslingback:

In my End is my Beginning

Dimensions 40” x 29” x 4”  
 
Lightbox mounted threadless embroidery 2011

Using manipulated lace patterns, formalised through alchemical symbolism this series attempts to illustrate a a temporary moment of continuity; a state George Baitialle believed could only be experienced in death or through sexual climax.
 
A triptych of embroideries sewn without thread, and mounted onto a light source allowing the pin holes which would normally be concealed to become filled with light exposing the sharply punctured surface and creating an almost cosmic surface.

(via wowgreat)

Victorian tile

Victorian tile

Victorian tile

Victorian tile

About:

A collection of inspiraitonal images by artists and designers from around the world.

Please visit...
www.rachaelelwell.co.uk
www.artyarn.org

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